Pierre Chapo B10 wardrobe made in France 1960

Pierre Chapo

France, 1927 – 1987
Designer, craftsman

This exquisite and understated B10 wardrobe is an iconic work by Pierre Chapo, crafted in his own atelier in France in 1960. Executed in solid French elm, the cabinet displays the refined sensibility and deep material understanding that Chapo brought to all his creations. The B10 is one of his most recognized modular concepts, part of a flexible system that allowed for various configurations, underscoring Chapo’s architectural approach to furniture design.

This particular piece stands out for its exceptional honey-toned patina, acquired over decades, enhancing the natural warmth and intricate grain that characterize elm wood at its finest. The condition is remarkably well-preserved, with no distracting marks, only the subtle traces of time that add to its authenticity and charm.

As with all of Chapo’s work, this wardrobe reveals a masterful execution of traditional joinery techniques, particularly evident in the precisely cut corner joints, signature details that serve both structural integrity and sculptural beauty. The flush, recessed grip handles that run the full length of the doors are seamlessly integrated, a thoughtful detail that eliminates the need for external hardware and emphasizes the unity of form and function. These discreet handles, barely perceptible at first glance, are a hallmark of Chapo’s talent for minimalism rooted in material honesty.

Internally, the cabinet features two in height adjustable shelves and a solid brass clothing rail, offering flexible storage while maintaining a highly considered design language. The modest, space-efficient proportions make this an ideal piece for smaller interiors where functionality must be met with aesthetics, whether used as a wardrobe, a linen cabinet, or refined storage in a contemporary setting.

Pierre Chapo’s design philosophy bridges age-old woodworking traditions with a resolutely modern vision. His preferred materials elm, oak, ash, and teak, were always chosen with a sculptor’s eye and an architect’s discipline. After completing his architectural studies at the École nationale supérieure des Beaux-Arts in Paris, Chapo traveled extensively through Scandinavia, Central America, and the United States, absorbing diverse influences that shaped his design ethos. Upon his return, he established a gallery on Boulevard de l’Hôpital 14 in Paris in 1958, exhibiting his own work alongside that of Isamu Noguchi, among others. In recognition of his early contributions, Chapo was awarded a Gold Medal by the City of Paris in 1960.

The legacy of Pierre Chapo sits firmly alongside that of Charlotte Perriand, not only in materiality and proportion but in the philosophical commitment to honest, human-scaled design. As Perriand’s work has seen an extraordinary rise in international esteem, so too has Chapo’s oeuvre become increasingly coveted by collectors and architects who value enduring craftsmanship, conceptual clarity, and provenance. Chapo’s pieces, including this B10 wardrobe, embody a timeless language that resonates deeply within the lexicon of 20th-century French design.

Literature; Pierre Chapo A Modern Craftsman Magen H Gallery 2017.

We maintain a carefully curated selection of original Chapo pieces in our collection. Should you be seeking something specific or wish to explore complementary works, we welcome you to inquire.

• Very good original condition
• Gentle and age related wear, nothing mention worthy